10/11/2023 0 Comments Blade runner screenwriterShinya Ohira (Key Animator) Known for: Akira (1989), “The Origin of O-Ren” from Kill Bill Vol. ![]() When Trixie throws the torn rear-view mirror of the fuel truck like a discus, then somersaults over the guard tower, the sequence demonstrates the type of extraordinary animation you can only expect from someone of Okiura’s caliber and vision. His character’s bodies behave with uncanny corporeal heft, expressing a sense of gravity and motion seldom conveyed in most animation, signature qualities most apparent in Blackout’s climactic scene in which Iggy and Trixie mount an attack on the Tyrell Corporation’s database center of registered replicants. Hiroyuki Okiura (Key Animator) Known for: Ghost in the Shell (1995), Jin-Roh (2001), A Letter to Momo (2011)Ĭommonly recognized for past collaborations with Mamoru Oshii as a animation supervisor/layout artist on the 1995’s Ghost in the Shell, and for his directorial debut on 2001’s Jin-Roh: The Wolf Brigade, Okiura is an animator renowned for the expressive realism of his sequences. ![]() For more Murase, check out the supernatural detective-action series Witch Hunter Robin, the dystopian cyberpunk drama Ergo Proxy and his latest feature-length adaptation of the late Project Itoh novel Genocidal Organ. Given his penchant for cleanly rendered character profiles, contemporary gothic fashion and terse, erudite storylines, Murase’s talents are a perfect fit for translating Blade Runner’s iconic neo-noir stylings to the medium of animation. Second-billed behind Watanabe in Blade Runner 2022’s credits, Shuko Murase is distinctly responsible for the short’s elegant, sophisticated aesthetic as its principal character designer and animation director. Shuko Murase (Key Animator, Character Designer, Animation Director) Known for: Witch Hunter Robin (2002), Ergo Proxy (2004), Gangsta. His directorial sensibilities shine through the most in the human-replicant riots of Blackout’s opening scenes, animated by Shinji Hashimoto, a key animator for Katsuhiro Otomo’s Akira who worked with Watanabe previously on Samurai Champloo and The Animatrix shorts Kid’s Story and A Detective Story. Watanabe is a visionary auteur par excellence, his body of work bursting at the seams with cinematically charged premises, densely layered characters, impeccably curated multi-genre scores and idiosyncratic flair for the ineffably cool. Undoubtedly one of today’s most prolific anime directors, the very mention of Shinichiro Watanabe’s attachment to Blackout alone should be cause for celebration. Shinichiro Watanabe (Director, Screenwriter) Known for: Cowboy Bebop (1998), Samurai Champloo (2004), Space Dandy (2014) Listed in order of their credits, here are the stories behind the animators of Blade Runner 2022: Blackout, as well as where you can find more of their work: While the first two shorts, directed by Luke Scott, are intriguing in their own right, Blade Runner 2022: Blackout, the third and final short, warrants the most attention.Ĭlocking in at just shy of 13 minutes, Blackout is perhaps one of the most exciting pieces of animation released this year, owed in no small part to a murderer’s row of some of the biggest talents working in Japanese anime today and an appropriately eerie score composed by none other than Flying Lotus. and Alcon Media commissioned a series of short films of several major events leading up to the film’s release. The appeal of films like Katsuhiro Otomo’s Akira and Mamoru Oshii’s Ghost in the Shell would have likely resonated with global audiences regardless, though it would be hard to argue that Scott’s film didn’t prime audiences for cyberpunk’s collective vision of sprawling metropolises looming over derelict post-industrial landscapes.Īs part of the promotional push for Blade Runner 2049, Warner Bros. Animation, in particular Japanese animation, owes no small debt to the precedent of Blade Runner. ![]() Last month, Blade Runner 2049 was released in theaters-30 years removed from Ridley Scott’s 1982 sci-fi noir and received with nigh-unanimous critical praise only dampened by muted commercial returns.īlade Runner 2049’s existence alone is testament to the enduring appeal and perpetual timeliness of Scott’s original: the urtext of cyberpunk’s visual vocabulary.
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